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Mary Kelly: To Witness the Future
de la Cruz, September 22 - December 11, 2022

Mary Kelly: To Witness the Future

Past exhibition
  • Overview
  • Installation Views
  • Works
  • Press
Overview
Mary Kelly 7 Days, 26 January-1 February, 1972, 2014 Compressed lint 41 x 34 x 2 in
Mary Kelly
7 Days, 26 January-1 February, 1972, 2014
Compressed lint
41 x 34 x 2 in

Georgetown University is pleased to present a special collaboration with one of the world’s most recognized artists, Mary Kelly (American b. 1941, lives Los Angeles, CA). Kelly has influenced conceptual and feminist art practices and shaped the way art is taught for decades. Mary Kelly: To Witness the Future marks the beginning of an academic year devoted to exhibitions and programs featuring women-aligned artists. This exhibition is the first to specifically explore Kelly’s long engagement with political movements. The works exhibited were produced between 2005 and 2020, but they reference the responses of women and women-aligned activists to key issues of equal rights in the United States and Europe since the 1960s. On view will be works she made with a range of collaborators, methods, and materials including projected video, lightbox photographs, live happenings, and “paintings” made of household dryer lint. To create these works, Kelly mined historical archives examining recurring themes of gender discrimination, racism, nuclear war, and the climate crisis, and the forms of resistance they have generated. Kelly’s work revisits and conceptually frames protests that have effected change, opening a multi-generational dialogue about the evolution of these demands, and offering a poetic way to witness the future.

 

This exhibition is generously supported by Maria & Ablerto de la Cruz and Helaine Posner (C '75). Curated by Al Miner.

Installation Views
Open a larger version of the following image in a popup: Photographs by Greg Staley
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup:
Photographs by Greg Staley
Works
  • Mary Kelly End the arms race not the human race, 2019 Duratrans print in LED light box 67.875 x 45.375 x 2.75 in
    Mary Kelly
    End the arms race not the human race, 2019
    Duratrans print in LED light box
    67.875 x 45.375 x 2.75 in
  • Mary Kelly Peace is the only shelter, 2019 Duratrans print in LED light box 67.875 x 45.375 x 2.75 in
    Mary Kelly
    Peace is the only shelter, 2019
    Duratrans print in LED light box
    67.875 x 45.375 x 2.75 in
  • Mary Kelly We don't want to set the world on fire, 2019 Duratrans print in LED light box 67.875 x 45.375 x 2.75 in
    Mary Kelly
    We don't want to set the world on fire, 2019
    Duratrans print in LED light box
    67.875 x 45.375 x 2.75 in
  • Mary Kelly 7 Days, 26 January-1 February, 1972, 2014 Compressed lint 41 x 34 x 2 in
    Mary Kelly
    7 Days, 26 January-1 February, 1972, 2014
    Compressed lint
    41 x 34 x 2 in
  • Mary Kelly 7 Days, 9-15 February, 1972, 2016 Compressed lint 41 1/8 x 34 1/8 x 2 in
    Mary Kelly
    7 Days, 9-15 February, 1972, 2016
    Compressed lint
    41 1/8 x 34 1/8 x 2 in
  • Mary Kelly Flashing Nipple Remix, 2005 3 black and white transparencies in light boxes Each 38 x 48 x 5 in
    Mary Kelly
    Flashing Nipple Remix, 2005
    3 black and white transparencies in light boxes
    Each 38 x 48 x 5 in
Press
  • The artist Mary Kelly in her Los Angeles studio. Credit: Philip Cheung

    Mary Kelly’s Revolution Is Ongoing

    The pioneering artist’s feminist work was groundbreaking in the ’70s. She never dreamed it would look just as radical half a century later.
    Sophie Haigney, The New York Times, November 10, 2022
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CONTACT US

 

Email: guartgalleries@georgetown.edu

Telephone: (202)-687-8039

 

HOURS OF OPERATION

 

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