Carnivalesque: Professor Toni-Lee Sangastiano
Sideshows, freak shows, circuses, and the beach boardwalks, from Coney Island to the Jersey shore, inspire Georgetown Professor Dr. Toni-Lee Sangastiano. The works in this exhibition historically document, celebrate, and make visible both the people and varied gathering spaces in all of their wonder, glitter, grit, genius, and eccentricity.
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Toni-Lee SangastianoRingling Clown Last Show, 2021Oil on aluminum panel, radiant light film, light-guiding acrylic, and LEDs19 x 19 3/8 x 1.5 in.
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Toni-Lee SangastianoInsectavora’s Retirement Tour, 2021Oil on aluminum panel26.75 x 23 x 2 in.
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Toni-Lee SangastianoRingling Clown Gesture, 2021Oil on aluminum panel26.75 x 23 x 2 in.
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Toni-Lee SangastianoCircus, Blue Manicules, Red Circus Wagon Wheels, 2017
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Toni-Lee SangastianoCircus, Blue Manicules, White and Yellow Circus Wagon Wheels, 2017Experimental printmaking and wood type on
Mohawk paper. Printed on a Vandercook press at the Hamilton Wood Type Museum11.25 x 23.5 x 1.5 in. -
Toni-Lee SangastianoSideshow Type, 2017Experimental printmaking and wood type on Mohawk paper. Printed on a Vandercook press at the Hamilton Wood Type Museum.11.25 x 23.5 x 1.5 in.
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Toni-Lee SangastianoFurry Protests, 2021Oil on aluminum panel14.5 x 14.5 x 1.5 in.
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Toni-Lee SangastianoRingmaster Iverson, 2021Oil on aluminum panel, radiant light film, light-guiding acrylic, and LEDs19 x 19 3/8 x 1.5 in.
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Toni-Lee SangastianoSarah H. Bird Girl with LED Hula Hoops, 2021Oil on aluminum panel28 x 25 x 2 in.
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Toni-Lee Sangastiano, Shoot The Guido, 2016
As a scholar of the carnivalesque and an internationally exhibiting artist, Dr. Toni-Lee Sangastiano studies the postmodern sideshow's American and European processional origins, and its relevance to contemporary language, aesthetics, and media. She makes visible the people and spaces of the postmodern sideshow and freak show, the codes of normality they challenge as social activism onstage, and the circus through contemporary realism and maker technology. As a leading sideshow banner painter and scholar, she produced this early form of advertisement for the last permanent sideshow in Coney Island during the “sideshow Renaissance” of the 1990s. Sangastiano also approaches the circus and the sideshow, two distinct types of performances, through documentary photography, mixed media, and video. She is primarily trained in art theory, aesthetics, and visual arts, but her work also engages philosophy through analysis of power structures, language, and theories of the body within the canon of art history and design.
She is a Digital Media Specialist and Associate Professor of the Practice in Studio Art and Digital Media in the Art & Art History Department of Georgetown University, where she teaches visual communication, design, and art courses. She is a core faculty member in Georgetown's Medical Humanities Initiative, and she also conducts research with its Massive Data Institute through a unique partnership using neural nets and machine learning to recognize hard-to-find sideshow banners in archival databases worldwide.
Sangastiano earned a B.A. in Art with a concentration in illustration and graphic design from Fairleigh Dickinson University, NJ, and an MFA in studio art at Montclair State University, NJ. She studied classical drawing and painting at the Angel Academy of Art in Florence, Italy, and earned a Ph.D. in Visual Arts: Philosophy, Aesthetics and Art Theory, from the Institute for Doctoral Studies in the Visual Arts, Portland, ME. Sangastiano’s latest solo exhibition, Carnivalesque, is at the Lucille M. and Richard F. X. Spagnuolo Gallery at Georgetown University. Her work has also been exhibited at the Yale School of Art’s Edgewood Gallery, the Coney Island Museum, the Robert Hull Fleming Museum, the Shelburne Museum, the Tate Modern, London, and is included in the permanent collection of the Robert A. Facchina Italian American Museum of Washington DC (IAMDC).