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Carnivalesque
Professor Toni-Lee Sangastiano, Spagnuolo South, August 25, 2021 - May 23, 2022

Carnivalesque: Professor Toni-Lee Sangastiano

Past exhibition
  • Overview
  • Installation Views
  • Works
  • Programs
  • Virtual Exhibition
  • About the Artist
Overview
Toni-Lee Sangastiano Circus, Blue Manicules, Red Circus Wagon Wheels, 2017
Toni-Lee Sangastiano
Circus, Blue Manicules, Red Circus Wagon Wheels, 2017

Sideshows, freak shows, circuses, and the beach boardwalks, from Coney Island to the Jersey shore, inspire Georgetown Professor Dr. Toni-Lee Sangastiano. The works in this exhibition historically document, celebrate, and make visible both the people and varied gathering spaces in all of their wonder, glitter, grit, genius, and eccentricity.

Installation Views
Open a larger version of the following image in a popup: Photographs by Greg Staley
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup:
Photographs by Greg Staley
Works
  • Toni-Lee Sangastiano Ringling Clown Last Show, 2021 Oil on aluminum panel, radiant light film, light-guiding acrylic, and LEDs 19 x 19 3/8 x 1.5 in.
    Toni-Lee Sangastiano
    Ringling Clown Last Show, 2021
    Oil on aluminum panel, radiant light film, light-guiding acrylic, and LEDs
    19 x 19 3/8 x 1.5 in.
  • Toni-Lee Sangastiano Insectavora’s Retirement Tour, 2021 Oil on aluminum panel 26.75 x 23 x 2 in.
    Toni-Lee Sangastiano
    Insectavora’s Retirement Tour, 2021
    Oil on aluminum panel
    26.75 x 23 x 2 in.
  • Toni-Lee Sangastiano Ringling Clown Gesture, 2021 Oil on aluminum panel 26.75 x 23 x 2 in.
    Toni-Lee Sangastiano
    Ringling Clown Gesture, 2021
    Oil on aluminum panel
    26.75 x 23 x 2 in.
  • Toni-Lee Sangastiano Circus, Blue Manicules, Red Circus Wagon Wheels, 2017
    Toni-Lee Sangastiano
    Circus, Blue Manicules, Red Circus Wagon Wheels, 2017
  • Toni-Lee Sangastiano Circus, Blue Manicules, White and Yellow Circus Wagon Wheels, 2017 Experimental printmaking and wood type on Mohawk paper. Printed on a Vandercook press at the Hamilton Wood Type Museum 11.25 x 23.5 x 1.5 in.
    Toni-Lee Sangastiano
    Circus, Blue Manicules, White and Yellow Circus Wagon Wheels, 2017
    Experimental printmaking and wood type on
    Mohawk paper. Printed on a Vandercook press at the Hamilton Wood Type Museum
    11.25 x 23.5 x 1.5 in.
  • Toni-Lee Sangastiano Sideshow Type, 2017 Experimental printmaking and wood type on Mohawk paper. Printed on a Vandercook press at the Hamilton Wood Type Museum. 11.25 x 23.5 x 1.5 in.
    Toni-Lee Sangastiano
    Sideshow Type, 2017
    Experimental printmaking and wood type on Mohawk paper. Printed on a Vandercook press at the Hamilton Wood Type Museum.
    11.25 x 23.5 x 1.5 in.
  • Toni-Lee Sangastiano Furry Protests, 2021 Oil on aluminum panel 14.5 x 14.5 x 1.5 in.
    Toni-Lee Sangastiano
    Furry Protests, 2021
    Oil on aluminum panel
    14.5 x 14.5 x 1.5 in.
  • Toni-Lee Sangastiano Ringmaster Iverson, 2021 Oil on aluminum panel, radiant light film, light-guiding acrylic, and LEDs 19 x 19 3/8 x 1.5 in.
    Toni-Lee Sangastiano
    Ringmaster Iverson, 2021
    Oil on aluminum panel, radiant light film, light-guiding acrylic, and LEDs
    19 x 19 3/8 x 1.5 in.
  • Toni-Lee Sangastiano Sarah H. Bird Girl with LED Hula Hoops, 2021 Oil on aluminum panel 28 x 25 x 2 in.
    Toni-Lee Sangastiano
    Sarah H. Bird Girl with LED Hula Hoops, 2021
    Oil on aluminum panel
    28 x 25 x 2 in.
  • Toni-Lee Sangastiano, Shoot The Guido, 2016
    Toni-Lee Sangastiano, Shoot The Guido, 2016
Programs
  • Carnivalesque panel

    Carnivalesque panel

    April 7, 2022
    April 7, 2022 6:00 - 7:00 P.M. Zoom webinar Georgetown Professor Toni-Lee Sangastiano’s artwork makes visible the people and spaces of the carnival, celebrating them...
    Read more
Virtual Exhibition
About the Artist

As a scholar of the carnivalesque and an internationally exhibiting artist, Dr. Toni-Lee Sangastiano studies the postmodern sideshow's American and European processional origins, and its relevance to contemporary language, aesthetics, and media. She makes visible the people and spaces of the postmodern sideshow and freak show, the codes of normality they challenge as social activism onstage, and the circus through contemporary realism and maker technology. As a leading sideshow banner painter and scholar, she produced this early form of advertisement for the last permanent sideshow in Coney Island during the “sideshow Renaissance” of the 1990s. Sangastiano also approaches the circus and the sideshow, two distinct types of performances, through documentary photography, mixed media, and video. She is primarily trained in art theory, aesthetics, and visual arts, but her work also engages philosophy through analysis of power structures, language, and theories of the body within the canon of art history and design.

 

She is a Digital Media Specialist and Associate Professor of the Practice in Studio Art and Digital Media in the Art & Art History Department of Georgetown University, where she teaches visual communication, design, and art courses. She is a core faculty member in Georgetown's Medical Humanities Initiative, and she also conducts research with its Massive Data Institute through a unique partnership using neural nets and machine learning to recognize hard-to-find sideshow banners in archival databases worldwide. 

 

Sangastiano earned a B.A. in Art with a concentration in illustration and graphic design from Fairleigh Dickinson University, NJ, and an MFA in studio art at Montclair State University, NJ. She studied classical drawing and painting at the Angel Academy of Art in Florence, Italy, and earned a Ph.D. in Visual Arts: Philosophy, Aesthetics and Art Theory, from the Institute for Doctoral Studies in the Visual Arts, Portland, ME. Sangastiano’s latest solo exhibition, Carnivalesque, is at the Lucille M. and Richard F. X. Spagnuolo Gallery at Georgetown University. Her work has also been exhibited at the Yale School of Art’s Edgewood Gallery, the Coney Island Museum, the Robert Hull Fleming Museum, the Shelburne Museum, the Tate Modern, London, and is included in the permanent collection of the Robert A. Facchina Italian American Museum of Washington DC (IAMDC).

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In observance of  Thanksgiving, the Georgetown University Art Galleries will be closed from November 26th - November 28th, 2025.

The Galleries will reopen with regular hours on November 29th and November 30th, 2025.